STORY OF FALLINGWATER

CHRONOLOGY OF CONSTRUCTION

BUILDING PRESERVATION

BUILDING DRAWINGS

BUILDING PRESERVATION

The Preservation of Fallingwater began with the Kaufmann family, who continually monitored the cracks in the master terrace parapets as well as the movement of the cantilevers, a practice continued by Western Pennsylvania Conservancy. Up until the 1980’s, the majority of the preservation projects undertaken first by the family and then Western Pennsylvania Conservancy concerned the concrete surfaces: patching and repainting. Beginning with the 1981 installation of new roofs, recent preservation and conservation projects have focused on areas such as the structural system, the replacement of the original glass with ultraviolet-filtering glass, and the conservation of all of the woodwork in Fallingwater.

In 1994, our continued concerns about the structural integrity of the house led us to engage the engineering firm, to conduct a comprehensive analysis of the master terrace cantilever using non-destructive testing methods. The results of the study indicated that the master terrace could not function as an independent cantilever, and that it was transferring its load to the living room level. Furthermore, the study predicted the ultimate failure of the living room cantilevers if no remedial action was taken. The study recommended that the structure be repaired. In order to stop the deflections and provide a margin of safety, Western Pennsylvania Conservancy installed temporary shoring in 1997. A 1999 peer review approved the proposed plan for the structural repair, which will strengthen the living room using post-tensioning, and waterproofing the building.

Preservation Philosophy

A primary goal of Western Pennsylvania Conservancy’s preservation efforts at Fallingwater is to maintain Frank Lloyd Wright’s designed relationship of the house with the surrounding natural landscape. The most defining features of this relationship are the cantilevers and the pristine, smooth concrete finishes indicative of the Modernist Style. The results of Wright’s innovative use of technology, however, can sometimes make traditional repair methods at Fallingwater difficult. Western Pennsylvania Conservancy makes every effort to maintain the structural integrity of the cantilevers and their relationship to the site as well as retain the smooth appearance of the concrete surfaces. In addition, the WPC makes every effort to make all conservation of the building as noninvasive as possible. No effort shall be made to revise or improve upon the original design for aesthetic purposes. However, changes to original building systems can be made if such changes contribute significantly to the long-term preservation of the building.


Preservation Projects

1936 Frank Lloyd Wright asked the DuPont Company of Wilmington to produce the red paint for the steel sash windows and doors.

1,340 pounds of Cemelith paint in the color of light ocher were ordered from Super Concrete Emulsion Ltd. of Los Angeles in August.
1937- 50 The exterior of the house was painted twice more with Cemelith paint.
1937-63 The Kaufmann family installed small vents on every terrace to increase air circulation in the coffers below.
1946 A sitting room was added off the kitchen. Wright did not visit Fallingwater to design the sitting room, rather it was built from plans and drawings he made.
1951 The exterior of the house was painted with a PPG Industries oil-based paint.
1956 A flash flood in August caused Bear Run to rise over the parapet walls. Water seeped in from the terraces and hillside to flood the house. The stairs to the stream were damaged and consequently reconstructed after the flood to include steel T-supports, which increased their strength and stability.
1957-59 The exterior of the house was painted with Mural-Tone Pec-Tan #497, manufactured by Muralco Company, Bayonne, New Jersey.
1969 The Frank Lloyd Wright built-in couches and freestanding hassocks and zabutons (the low foam rubber floor cushions with walnut frames around them) were recovered with a Jack Lenor Larsen fabric chosen by Edgar Kaufmann, jr.

The interior and exterior of Fallingwater were patched and painted with an O’Brien paint, manufactured by the Masterwork Paint Company.

New precast, pre-stressed, concrete slabs for the bridge floor were installed under the direction of Chester Engineers.
1970 per the direction of Edgar Kaufmann, jr., all of the screens in the house were removed, in keeping with Frank Lloyd Wright’s original intention. Due to the annoyance from insects, the screens were put back in shortly after they were removed.
1971-72 The O’Brien paint did not adhere properly to the exterior substrate. The following paints were, therefore, tested: Sherwin-Williams, Dutch Boy, Martin-Senour, PPG, Pratt Lambert, Thoroseal, Watson-Standard, Tnemec, and O’Brien. The paint used was Tneme-Crete (modified epoxy), manufactured by the Tnemec Company of Kansas City, Missouri.
1972 The carport was converted into a membership theater.

The Kaufmann greenhouse and swimming pool were removed. The greenhouse was reinstalled at the I.N. Hagan House, now called Kentuck Knob.
1976 Edgar Kaufmann, jr. changed the red color of the steel sash windows and doors from the Venetian red to a more typical Wright Cherokee red.
1978-79 The exterior of the house was painted with Thoroseal, a cement based paint.
1981 Under the direction of L.D. Astorino Associates, Pittsburgh, new roofs were installed over the main house and guest house. They were composed of 4 plies of fiberglass felts with hot asphalt in between them.
1982 The east terrace trellis beams were partially knocked down during a storm when a tree branch collapsed on them. They were rebuilt using post-tensioned thread bars under the direction of Taliesin Associates Architects.
1986 All of the Frank Lloyd Wright designed built-in and freestanding furniture was conserved by Thom Gentle of Intermuseum Conservation Laboratory, Oberlin, Ohio. This work was funded in part by the following grants: National Endowment of the Arts, J. Paul Getty Trust, and the Pennsylvania Council on the Arts.
1987-88 Under the direction of L.D. Astorino Associates, Pittsburgh, the roofs were replaced with a single-ply of 60 mil Goodyear Versigard EPDM rubberized membrane. In addition, the living room, Edgar Kaufmann, Sr., master bedroom, and third floor terraces were lifted and reassembled using a single-ply of 60 mil Goodyear Versigard EPDM rubberized membrane concealed under the flagstones. The membrane was used in conjunction with lead flashing.

The original single pane glass in the house was replaced with Saflex, a UV filtered glass manufactured by the Monsanto Company and Pittsburgh Plate Glass. It was funded, in part, by grants from the Institute of Museum Services and Pittsburgh Plate Glass.
1987 The kitchen floor was replaced with asphalt tiles manufactured by Azrock Industries of Texas. Azrock specially made 12-inch x 12-inch tiles to match the original.
1988-present Thom Gentle, Consultants, Massachusetts, performed necessary wood and object conservation in situ each winter at Fallingwater.
1988-93 Wank Adams Slavin Associates, New York, was hired with a grant from the Institute of Museum Services to investigate concrete and masonry problems. After determining the problem, they tested and evaluated numerous patching techniques.
1989 The stone chimney tops were dismantled and through- the-wall lead flashing was installed under the direction of L.D. Astorino Associates, Pittsburgh.

Weston Geophysical Corporation and Michael Baker Corporation performed a geophysical study and found that the bedrock foundation conditions near the stream above the waterfall to be sound.

The main house was electrically rewired.

Michael Baker Corporation, Pittsburgh, donated services to create sitemaps and provided an assessment of the houses’ stability.
1989-92 The exterior stonewalls of the main house were cleaned under the direction of Wank Adams Slavin Associates, New York.
1990 The original paint colors on Fallingwater were analyzed by Frank Welsh, in association with Quinn Evans Architects of Ann Arbor, Michigan.
1990-91 Under the direction of Wank Adams Slavin Associates, New York, the southwest corner of the master bedroom and Edgar Kaufmann, Sr.’s terrace were rebuilt.
1991 The Frank Lloyd Wright built-in couches and freestanding hassocks and zabutons were recovered with a Jack Lenor Larsen fabric specially made to match the 1969 fabric chosen by Edgar Kaufmann, jr.
1992 The main house chimney mass was repointed under the direction of Wank Adams Slavin Associates, New York.
1992 The steel hatch over the stairs to the stream was restored by John Seekircher, a steel window restorer located in New York.
1995-98 Western Pennsylvania Conservancy was awarded a Keystone Historic Preservation grant to chemically strip, patch and paint the exterior of the house. The coating system was developed specifically for Fallingwater by Wank Adams Slavin Associates, New York, and Norman Weiss. The 13-15 layers of paint were first removed with a Dupont Chemical product called Peel Away 1. After the surface has been sufficiently rinsed of the Peel Away 1 and dried, a water repellent is applied. The water repellent is called SL100, manufactured by ProSoCo, Kansas City, and works as a primer for their Breathable Masonry Coating 90. The coating was applied as per manufacturer recommendations. The coating system is designed to allow moisture vapor to escape, while preventing liquid water from entering from the outside. The paint also contains a mild biocide that resists mildew and algae growth.
1995 The swimming pool was painted with an Amsterdam Color Guide Latex Pool Paint, manufactured by Amsterdam Colorworks, Inc., Bronx New York. The paint failed completely after 6 months.
1996 Robert Silman Associates, New York, completed the report Analysis of the Master Bedroom Terrace.
1997 Temporary shoring was installed underneath the living room cantilevers under the direction of Robert Silman Associates.

Andropogon, Landscape Architects of Philadelphia completed an Interpretive Management Plan for the Landscape of Fallingwater.
1998 Under the direction of Wank Adams Slavin Associates, New York, the pottery terrace was re-waterproofed using an IRMA system, which stands for inverted roofing membrane assembly system. The system is based on Bituthene 4000, manufactured by W.R. Grace. Deck Prep (a low viscosity, two-component asphalt-modified urethane coating) is applied over the Hardibacker. Two plies of Bituthene 4000 were then installed over the deck prep, the edges were sealed with Bituthene Mastic, a rubberized asphalt-based mastic. Copper flashing was seated in a reglet in the concrete parapet. A drainage mat was then installed. The mat acts both as a protection board for the membrane and the means to direct moisture towards the new drains. The drains are J.R. Smith drains with perforated collars to collect subsurface water. The flagstones were then laid in sand and a cement mortar was placed between the stones.

Robert Silman Associates, New York, completed the report Analysis of Mr. Kaufmann’s Terrace.
1998-99 The swimming pool was painted with an Olympic Paralon 2 Chlorinated Rubber manufactured by Kelley Technical Coatings.
1999 On April 10, Western Pennsylvania Conservancy held a public forum and peer review to examine and assess the proposed plans for the stabilization and restoration of Fallingwater. The review panel for the forum was composed of individuals in engineering, architecture, and academia recognized for their outstanding achievements. The panel unanimously endorsed both proposals from RSA and WASA to stabilize and restore Fallingwater.

Robert Silman Associates completed the report Crack and Tiltmeter monitoring at Fallingwater and Structural Conditions Assessment.

Wank Adams Slavin Associates, New York, completed a Conditions Assessment and a Preservation Master Plan for Fallingwater.

Analysis of the Master Terrace

Over the years all of the cantilevers at Fallingwater have deflected (or sagged) by varying amounts. Though a certain amount of initial deflection is normal after the framework has been removed, the cantilevers stabilize after a short period of time. The living room, master bedroom terrace, and Edgar Kaufmann, Sr.’s terrace, however, are continuing to deflect and there is no indication it will stop.

Edgar Kaufmann, Sr., himself, was concerned about the continuing deflection of the house and engaged engineers to make yearly surveys from 1941 to 1955. When Western Pennsylvania Conservancy (WPC) was entrusted the site in 1963, they continued to monitor the structure. Further concern about the structural integrity of the house lead WPC in 1994 to engage Robert Silman Associates (RSA) of New York, an engineering firm widely recognized for their preservation work.

Since 1936, there has been much confusion regarding the exact construction details of Fallingwater. In particular there were questions regarding the number, size and arrangement of the reinforcing bars in the concrete work of the house. In addition, new questions had arisen about the strength of the concrete and whether any internal deterioration of the materials had occurred over time. In a National Historic Landmark building such as Fallingwater, questions like these are best answered by using methods that do not destroy or damage any parts of the building. Although all questions could be answered by chipping away sections of the concrete, this is unacceptable because vital original fabric would forever be lost. Therefore, RSA used non-destructive testing methods to provide the answers.

RSA’s investigation consisted of four phases: historic research of the original plans, and Wright’s instructions to the builder, non-destructive testing, computerized monitoring, and a sophisticated computer analysis of the master terrace. Using impulse radar and ultrasonic pulse testing, they were able to confirm the size and location of the reinforcing steel and found the concrete in generally fair condition. Moreover, the measured deflections of the cantilevers proved to be consistent with those predicted in the computer model developed by RSA. Unfortunately, that computer model also predicted the ultimate failure of the living room cantilevers.

The study also discovered that the master terrace could not function as an independently supported cantilever with its existing reinforcement. It was in fact the design intent, structurally, to transfer the loads of the master terrace down to the living room level through four structural "T" sections encased in the larger window mullions on the south elevation. To further monitor the situation, RSA installed crack meters on two of the most prominent cracks on the parapet of the master terrace and a tilt meters on the wall at the southern end of the living room and master bedroom cantilevers. These instruments take readings every half-hour and indicate whether the cracks are expanding or the cantilevers are tilting further downward.

RSA eventually concluded that the problems found at Fallingwater stem not from oversights in basic geometry or flaws inherent to the structural concept, but were instead mistakes in the design and detailing of the reinforcement. They recommended that the structure be repaired. In the meantime, in order to stop the deflections and provide a margin of safety, WPC installed temporary shoring in April 1997.

Peer Review

On April 10, 1999 a peer review and forum was held to review Robert Silman Associates’ (RSA) plans to stabilize the cantilevers and Wank Adams Slavin Associates’ (WASA) waterproofing plans for Fallingwater.
Because of the architectural importance of Fallingwater, and the possible controversy over its repair, Western Pennsylvania Conservancy understood the need to present this information to a qualified panel for review and announce the plans to the public. In his opening remarks, panelist and internationally known conservator Martin Weaver stated, "The Conservancy should be congratulated for adopting this process of peer review on the conservation proposals, and I firmly believe that this should be a standard process for all historic resources of national and international significance."

The panel, composed of individuals recognized for their outstanding achievements in architecture, engineering, academia, and preservation, unanimously endorsed the proposals to strengthen and restore Fallingwater. Panelists were: Randall Biallas, the Chief Historical Architect for the National Park Service; Nick Gianopulos, a structural engineer and founding member of the firm Keast and Hood; Neil Levine, Gleason Professor at Harvard University; John Thorpe, restoration architect in Oak Park, IL; Dr. Bruno Thurlimann, a Swiss structural engineer who specializes in building failures; Martin Weaver, an international specialist in the conservation of historic buildings and sites; and Eric Lloyd Wright, architect and grandson of Frank Lloyd Wright.
Stabilizing and restoring Fallingwater does not diminish the genius of Frank Lloyd Wright and the mastery of Fallingwater. As panelist Randall Biallas so eloquently stated, "The problems at Fallingwater inform us about Mr. Wright’s practice at a particular point in time, about the people that he had in his office at a point in time, and about how he was constantly pushing the envelope in terms of design and materials and concept and form … Mr. Wright was doing something dramatically different in terms of residential architecture at Fallingwater."

Structural Repair:
Proposed Plans to Stabilize the Cantilevers:

RSA proposes a technique called post-tensioning to halt further deflections of the living room and master bedroom cantilevers. No effort will be made during the stabilization to raise the cantilevers back to their intended position. As panelist Dr. Bruno Thurlimann remarked during the forum, "Post-tensioning is the way to go. No one will come up with a better solution." The reinforcement will remain in the floor depth with minimum disturbance to the existing concrete fabric. Panelist Eric Lloyd Wright, grandson of Frank Lloyd Wright, agreed and said, "The most important thing in Frank Lloyd Wright buildings is the space that is inside the building and the space that is outside the building, not what is in the floor."

In order to post-tension Fallingwater, high strength steel cables will be placed along each side of the 3 major north/south concrete beams in the living room. The strands follow a bent path where they start and end at points near the bottom of the existing concrete beams and rise up to the top of the existing beams at the middle. This path locates the strands at the top and middle of the beam where they are most needed for strength. The geometry of the strands’ placement is carefully calculated to ensure that the large post-tensioning forces will always oppose the inner stresses now present in the beams. The strands are attached to the side of the concrete beams with anchor blocks.

The strands will extend outside the face of the south living room parapet and a post-tensioning jack will be installed. The jack will be used to tension each group of strands on either side of the beam until the required 200,000 pound or 100 ton force is reached, which places 400,000 pounds or 200 tons of tension on each beam. The jack will then be removed and the strands will be cut off inside the parapet. The concrete will be patched, leaving little trace of the work performed. In order to achieve proper transfer of forces from the living room to the master terrace, the concrete joist directly above the four steel "T" mullions will be reinforced by bolting a steel channel to each side.

Architectural Restoration Needs:

The stabilization of the cantilever is clearly a dramatic project, but the restoration of the structure includes many other vital components:
  1. structural strengthening of Edgar Kaufmann, Sr.’s cantilevered terrace with carbon fiber;
  2. restoration and repair of the corroded, and in some locations inoperable, steel sash that comprises the framing of the windows and doors throughout the building;
  3. conservation of all interior built-in and free standing Frank Lloyd Wright designed furniture and woodwork;
  4. restoration of the badly corroded steel supports and spalled concrete treads of the stairs that connect the living room to the stream;
  5. cleaning and repointing of the exterior stone walls; and
  6. waterproofing the building.

Waterproofing

Another major issue facing Fallingwater is moisture penetration. Lynda Waggoner, vice president of Western Pennsylvania Conservancy and director of Fallingwater, said during the forum, "Inside the house, this on-going problem is responsible for warped doors, peeling paint, stains and cracks on the walls. It’s a serious problem that rivals our structural challenges in its importance." To remedy that, WASA proposed to replace the current one-ply rubber membrane roof with an IRMA (inverted roofing membrane assembly) roof. The IRMA system employs three plies of modified bitumem that is surmounted by a drainage mat (to guide the sub-surface water), insulation, filter fabric and gravel. The terraces will be waterproofed similarly with three plies of modified bitumem and a drainage mat. Flagstones will then be laid over filter fabric and sand.

Wank Adams Slavin Associates (WASA) are the architects for supervising the project and are currently developing plans to restore the structure. Their ten-year association with the project has been invaluable in determining solutions for moisture penetration, an issue that has plagued Fallingwater since its inception. Principal points of moisture entry are defective or missing waterproofing and flashing elements (at roofs, terraces and skylights and windows) and window frames that are not tight to the structure. Other factors contributing to moisture penetrating the structure are the lack of drip edges at the roof rolls; projecting ledges of stone work on which water ponds; and contact of building elements with bedrock or partially bermed soil.

Visiting Fallingwater
Exploring Fallingwater
Experiencing Fallingwater
Frank Lloyd Wright
For Teachers
Media and Photography
Museum Shop
Contact Us